Timberlake and The Kings of Leon

LA boy

Danielle from Bristol writes: Hi Simon, nice to see you back in England again! I want to ask you something. I heard a rumor that you worked with Justin Timberlake when you were in LA, is that true?

Simon: Hi Dan! Well sort of true I suppose. I was sitting having a chat in an office in Beverly Boulevard LA talking to my good friend Marie.

This place has a studio connected to it as the company deals with various songwriters and artists. The resident engineer came in panicking with a brand new Logic Pro 8 box under his arm.

The session today was Justin Timberlake and a guy called Kenna, and Justin prefers to work in Logic as opposed to pro tools (as do most artists).

They were working on a ‘Kings of Leon” track re-mix, I never heard the finished thing, but it sounded pretty good.
The engineer was worried because he had never used logic before, so I helped out, set it all up and gave the guy a crash course in Logic 8.
I was introduced to Mr Timberlake and he thanked me for my help. Then I went off and got myself a lovely hot dog!!
see link

GigWise

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Slacker

Slacker album update

Shem McCaully wrote: Hi Simon, Hope you are well. Where are you now? Hows it going? If I read your blog right, you are in London. Man, you get around….. Slacker album update…..Slacker album update……We are now looking for artwork. A pic for the front cover. See my email below to creative friends, and if you have any ideas, let me know. I spent a day on flickr and found some ones that were promising, but nothing so far screams out USE ME! Cheers ears! Shem

Simon: This is a good friend of mine who I mixed and edited for just before leaving Bangkok for LA. I love this album and expect it to do very well for years to come. So here is an opportunity to help with the cover, over to you mr. Shem…

Creative friends,

I want an image. You might be able to help.

My album is called “Start A New Life”.
Another idea for the album tiltle was, “Home”.
Below are the track titles.
It’s kinda trip hop/mid tempo stuff, think DJ Shadow meets Moby meets Groove Armada.
It’s kinda organic, funky, sample-based, journey-like, atmospheric, thoughtful, warm. And not too serious.

We are looking for a photo to put on the front cover.
We want something that kind of sums up me and my new life, here in Thailand.
Got any pics?! Any pics you saw on the net which might apply? Any thoughts?

Ideas so far are something nightlife bangkok style: a shot of the big city, from above or street level, lights, maybe people or cars blurred, could be a bit messy or chaotic. Or a market – maybe a night market, mad, rushy, trippy. A time lapse picture.

But all other ideas welcome. I have a picture of a passport page full of thai immigration stamps. I have a pile of papers I got from customs when I shipped a case into the country – was thinking of laying them all out and taking a pic of them.

Cheers!
Shem

Slacker – “Start A New Life”

StartANewLife
IHaveNoMemory
WhenIWasAChild
California
JustAsIAm
SeeTheWorld
BlueArmy
HelpMeHere
SkittlesAndMalteasers
ANewDay’sDawn
ComeBackHome
WhatADream
KidsIdeas
AMillionDreams
Lately

Slacker album updatehttp://myspace.com/slackershem

jukeboxinthesky.co.uk

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The Singing Taxi Driver in Bangkok

Taxi Jam near GMM

I have told this story many times over the last few years, and many people have suggested that I write it down. So! by popular demand! here it is!

When I first moved to Bangkok, I stayed in a place called ‘Galleria Mansion’ at Huay Kwang intersection on Ratchada. This was a good place to be as Grammy was just up the road, in fact on the same road as the crow flies. In those days Grammy was in a building called CMIC Tower, on the opposite side of the street and about 100 yards from the current Grammy building GMM Tower,

I was working on the ‘Silly Fools’ Candyman album at that time so I left home at about 12pm and hailed a taxi.

If you have ever been to or had a Bangkok holiday you will know that you don’t need to wait more than about ten seconds before you see an available taxi, they are usually looking right at you as they drive along searching your face for an indication that you want them to stop. This is one of my pet hates actually, whenever I am trying to cross the road, taxis slow down and look at you but not slow enough to cross the street without running you over.

This particular taxi on this particular day was to be my destiny and the subject of this story.

The driver was quite smart and he had one of those fake wooden sports (small) steering wheels. You could tell that he took pride in his car; it was clean and full of nicely folded brochures for tourists of hotels, restaurants and even dodgy massage/karaoke places. Whatever takes your fancy, he had it in that car.

Unusually, he spoke pretty good English, yes, I said unusually, another charming quirk of Bangkok is that there is a ridiculous amount of taxi drivers that can’t speak or understand English, even the ones that pick you up from the airport.

I announced my destination to the driver and off we go. The conversation is about the Thai music scene, the driver realizing my job was in music based on the fact he was taking me to Grammy, mother of all music in Thailand, and we had established that I was a record producer.

He then told me he was not a singer; however he could sing just one song.

I just nodded and half smiled, not wishing to encourage him to do what he inevitably was about to subject me to.

‘It’s a Japanese song’ he said, ‘but I can’t actually speak Japanese’ he continued, then… without warning he burst into this weird, Frank Sinatra style Japanese song. Loud, no, very loud. He turned his body to me with his right arm resting on the steering wheel and presented this song to me. It is as if somebody else was driving the car. You can imagine how I felt, he didn’t even slow the car down, I really hate being ‘sung at’, oh shit! Here comes another verse, how long is this damn song? I tried butting in with comments like ‘Yeah! very good!’ and ‘Please watch where you are driving’ and finally ‘aaaah! Mummy!’

The ten minute journey seemed like a bloody lifetime. I paid the fare, jumped out of the taxi and ran into Grammy as I couldn’t wait to tell somebody what had just happened.

That evening, when I arrived home, I told my girlfriend (now my wife) all that had happened, and I am sure she believed me, but I think she felt that I had embellished the story a little to make it more colorful. Anyway, I was the only witness to this experience, so who cares?

About 4 years later and various moving of apartment, my wife and I were going shopping. I still hadn’t bought a car yet so we flagged down a taxi. We both sat in the back and told the driver to go to ‘Robinsons’ he spun around and said ‘Hey! Remember me? Yes, no, what? I turned to my wife and said ‘It’s the singing taxi driver’ and without further hesitation he burst into the same song and performed it in exactly the same manner.

So my wife got to see that I really was not exaggerating.

Of all the thousands of taxis in Bangkok, coupled with the fact that we had moved to another area, what are the chances of that happening? But it did. Has anybody seen him? The singing taxi driver? It would be fun if we could track him through other peoples experiences, write to me if this happened to you, or let me know stories about your Thailand holidays.

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Rockfield Story

In the year 1989 or 1990, I was working with the legendary Gus Dudgeon at Rockfield Studios in Wales with a band called ‘Lunch with the president’. We had been using a studio 2 miles away for some tracking as our studio at Rockfield had to be made available for Graham Bonnet.

The other studio was called ‘Mono Valley’ and Brian May had just finished his solo album there when we took it over.

We were using two 24 track Otari machines at Rockfield, but at Mono Valley they only had one 24 track, so we had made up some ‘slave’ mixes as guide tracks on one tape for those sessions. We mixed down all the drums to two tracks, had a mix of the keyboards, and another stereo pair of all the guitars. We the used the remaining 15 or so tracks to do the real tracking.

So, we were now back at Rockfield to finish the alum. Gus suggested that we erase the guide tracks from the second reel as they were no longer needed and just confused things while we were trying to mix.

With the track sheet in front of me and a copy in front of Gus, we both called out the tracks to the engineer that he could safely ‘arm’ for recording. It kind of went a bit like this ‘track ten, track ten, ok, check, track ten, track eleven, track eleven, ok, check track eleven’ and so on. After we had checked and double checked that these were the tracks to be erased, we put the machine into record and went for a cup of tea.

We cleaned two reels of 2 inch in the same way, the whole album!

The first proper job of the day was to fly in some vocal samples from the sampler.

So Dave, the engineer, put track 1 into record enable and we started ‘punching in’ these various vocal bits and pieces.

Upon hitting the record button the second machine started to spin out of control. Dave jumped up and stopped it manually. I gazed over to the ‘VU meters’ and saw that track 24 was armed, NOT track 1. When I announced this we all looked at the mixing desk where Dave was arming the machine and saw track 1 flashing, then looked back at the VU meter on the machine and saw it was still flashing on track 24.

Dave enabled track 24 on the mixer but the machine flashed up track 1. We found out that the second machine had returned from maintenance the previous day, and the multi core had been plugged in upside down. One would think that they would design the cable to only plug in one way wouldn’t you? No such luck here.

Track 24 is really track one, track 2 is really track 23 and so on.

So we had been recording on the SMPTE code track which was track 24.

Small holes in the SMPTE code were not a big problem, but the fact that we had erased at least 8 tracks for the whole album that we not guide tracks at all was a NIGHTMARE thing to have done.

We had erased main vocals, Sax solos, guitar solos, backing vocals this was a complete disaster!! Kingsley, the owner, brought the maintenance guy in, bent him over, and told me and Gus to literally ‘kick his ass’, it was just like a scene from ‘Spinal Tap’. He wanted to fire the guy, but settled for a good arse kicking instead. I gave it a little token boot and so did Gus to satisfy Kingsley, not that it helped the situation.

Kingsley said ‘I am lucky you guys are here on a production deal and not here record company money or I’d get sued’ this didn’t make us feel any better. ‘Oh well!’ Gus said ‘Down the pub then’ he continued.

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Roxanne


From Roxanne in LA:

Hello my friend Simon, How are you? Your new site looks great and so do you, behind the drums. I’m getting my songs down on piano…and a bit of guitar…so if I come to Bangkok, could we do a live gig at club somewhere? …joking, but maybe not:) But…are you here in Los Angeles? From your myspace page, looks like you arrived in October… Welcome… Best wishes,
Roxanne

Simon:

Hi Rox! I can’t believe I completely forgot to contact you when I was in LA. I came over to meet people about work (not terribly good timing as I arrived on the dawn of the credit crisis).

But I was there when Obama was elected, so that was nice!
I am now back in the UK but I will come over for a visit as soon as I can.
Nice to see you are still writing killer songs!

(Go checkout this website, Roxanne has worked with some of my favorites)



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